La música popular moderna
New Orleans Jazz
Dixieland music or sometimes referred to as Hot jazz or New Orleans jazz is a style of jazz which developed in New Orleans at the start of the 20th century, and was spread to Chicago and New York City by New Orleans bands in the 1910s. Dixieland jazz combined brass band marches, French Quadrilles, ragtime and blues with collective, polyphonic improvisation by trumpet (or cornet), trombone, and clarinet over a "rhythm section" of piano, guitar, banjo, drums, and a double bass or tuba.
Well-known jazz standard songs from the Dixieland era, such as "Basin Street Blues" and "When the Saints Go Marching In", which are known even to non-jazz fans.
Louis Armstrong's All-Stars was the band most popularly identified with Dixieland, although Armstrong's own influence runs through all of jazz.
The definitive Dixieland sound is created when one instrument (usually the trumpet) plays the melody or a recognizable paraphrase or variation on it, and the other instruments of the "front line" improvise around that melody. This creates a more polyphonic sound than the extremely regimented big band sound or the unison melody of bebop.
The swing era of the 1930s led to the end of many Dixieland Jazz musicians' careers. Only a few musicians were able to maintain popularity. Most retired.
With the advent of bebop in the 1940s, the earlier group-improvisation style fell out of favor with the majority of younger black players, while some older players of both races continued on in the older style. Though younger musicians developed new forms, many beboppers revered Armstrong, and quoted fragments of his recorded music in their own improvisations.
Swing music, also known as swing jazz or simply swing, is a form of jazz music that developed in the early 1930s and had solidified as a distinctive style by 1935 in the United States. Swing uses a strong anchoring rhythm section which supports a lead section that can include brass instruments, including trumpets and trombones, woodwinds including saxophones and clarinets or stringed instruments including violin and guitar; medium to fast tempos; and a "lilting" swing time rhythm.
Swing bands usually featured virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw.
In the early 1940s bebop performers helped to shift jazz from danceable popular music towards a more challenging "musician's music." Differing greatly from swing, early bebop divorced itself from dance music, establishing itself more as an art form but lessening its potential popular and commercial value. Since bebop was meant to be listened to, not danced to, it used faster tempos. Beboppers introduced new forms of chromaticism and dissonance into jazz; the dissonant tritone (or "flatted fifth") interval became the "most important interval of bebop" and players engaged in a more abstracted form of chord-based improvisation which used "passing" chords, substitute chords, and altered chords. The style of drumming shifted as well to a more elusive and explosive style, in which the ride cymbal was used to keep time, while the snare and bass drum were used for unpredictable, explosive accents.
These divergences from the jazz mainstream of the time initially met with a divided, sometimes hostile response among fans and fellow musicians, especially established swing players, who bristled at the new harmonic sounds. To hostile critics, bebop seemed to be filled with "racing, nervous phrases"Despite the initial friction, by the 1950s bebop had become an accepted part of the jazz vocabulary. The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, tenor sax player Lester Young, and drummer Max Roach.
Hard, Cool, Modal, Free... Jazz
- Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz
- Modal jazz. Miles Davies. Other innovators in this style include John Coltrane and Herbie Hancock.
- Free jazz: In the 1960s, performers included John Coltrane
Latin jazz combines rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves with jazz and classical harmonies played on typical jazz instruments (piano, double bass, etc.). There are two main varieties: Afro-Cuban jazz was played in the US directly after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd.
Rock music is a loosely defined genre of popular music that entered the mainstream in the mid 1950s. It has its roots in 1940s and 1950s rhythm and blues, country music and other influences. In addition, rock music drew on a number of other musical influences, including folk music, jazz, and classical music.
The sound of rock often revolves around the electric guitar or acoustic guitar, and it uses a strong back beat laid down by a rhythm section of electric bass guitar, drums, and keyboard instruments such as organ, piano, or, since the 1970s, synthesizers. Along with the guitar or keyboards, saxophone and blues-style harmonica are sometimes used as soloing instruments. In its "purest form", it "has three chords, a strong, insistent back beat, and a catchy melody."
Rhythm & Blues
Rock & Roll
Rock and roll evolved in the United States in the late 1940s and early 1950s, and quickly spread to the rest of the world. Its immediate origins lay in a mixing together of various popular musical genres of the time, including rhythm and blues, gospel music, and country and western. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music for a multi-racial audience, and is credited with first using the phrase "rock and roll" to describe the music.
- Bill Haley - Rock Around The Clock
- Elvis Presley. Jailhouse Rock
- Elvis Presley. Heartbreak Hotel
- Elvis Presley. Can't help falling in Love
- Elvis Presley. My Way
- Chuck Berry. Johnny be Goode
- Jerry Lee Lewis. Whola Lotta Shakin' going on
By the end of 1962, the British rock scene had started with beat groups
like the Beatles drawing on a wide range of American influences including soul music, rhythm and blues and surf music. Initially, they reinterpreted standard American tunes, playing for dancers doing the twist, for example. These groups eventually infused their original rock compositions with increasingly complex musical ideas and a distinctive sound. In mid-1962 The Rolling Stones started as one of a number of groups increasingly showing blues influence, along with The Animals and The Yardbirds.
In late 1964, The Kinks, The Who and The Pretty Things represented the new Mod style. The Rolling Stones broke in late 1964 as well. Their first international number-1 hit was "(I Can't Get No) Satisfaction", recorded in May 1965 during the band's third North American tour. Released as a US single in June 1965, it spent four weeks at the top of the charts there, and established the Stones as a worldwide premier act. Towards the end of the decade, British rock groups began to explore psychedelic musical styles that made reference to the drug subculture and hallucinogenic experiences.
- Beatles. Twist and shout
- Beatles. Ticket to ride
- Rolling Stones. Satisfaction
- Rolling Stones. You Better Move On
- Rolling Stones. Angie
In the late 1950s the US beatnik counterculture was associated with the wider anti-war movement building against the threat of the atomic bomb, notably CND in Britain. Both were associated with the jazz scene and with the growing folk song movement.
The folk scene was made up of folk music lovers who liked acoustic instruments, traditional songs, and blues music with a socially progressive message. The folk genre was pioneered by Woody Guthrie. Bob Dylan came to the fore in this movement, and his hits with Blowin' in the Wind and Masters of War brought "protest songs" to a wider public.
Inspired by the success of the Beatles to mix folk and rock, Roger McGuinn had already been playing Beatles songs acoustically in Los Angeles folk clubs when Gene Clark approached him to form an act. Neil Young's lyrical inventiveness and wailing electric guitar attack created a variation of folk rock. Other folk rock artists include Eagles, Simon & Garfunkel, Joan Baez, The Mamas & the Papas, Joni Mitchell, Bobby Darin and The Band.In Britain, Fairport Convention began applying rock techniques to traditional British folk songs, followed by groups such as Steeleye Span, Lindisfarne, Pentangle, and Trees. Alan Stivell in Brittany had the same approach.
- Bob Dylan. Blowin' in the wind
- Eagles. Hotel California
- Simon & Garfunkel. Mrs Robinson
- The Mammas & the Pappas. Monday monday.
Hard rock and heavy metal
A second wave of British and American rock bands became popular during the early 1970s. Bands such as AC/DC, Grand Funk Railroad, The Rolling Stones, Led Zeppelin, Deep Purple, Queen, Alice Cooper, Judas Priest, Status Quo, Aerosmith, Black Sabbath, Kiss and Uriah Heep played highly amplified, guitar-driven hard rock. The genre was marked with aggressive, hard driven sounds of overdriven electric guitars and an insistent 4/4 drumbeat. As the decade progressed, bands began incorporating different sounds into their music such as the use of synthesizers and using influences from progressive rock and disco in their records. Although it remained popular throughout the decade, music critics overwhelmingly disliked the hard rock genre. This began to change in 1978 following the release of Van Halen's self-titled debut album. The album helped to usher in an era of more commercialized rock and roll, based out of Los Angeles, California. After the glam side of metal started to end, bands like Metallica, Iron Maiden, Slayer, Megadeth, and Anthrax returned to the original metal scene.
- AC/DC. Highway to Hell
- Deep Purple. Smoke On the water
- Led Zeppelin. Black Dog
- Jimi Hendrix. Fox Lady
Esquema general del Rock del S.XX
- Rock and roll
- Early British Rock and the British Invasion
- Garage rock
- Surf music
Counterculture movement (1963–1974)
- Folk rock
- Psychedelic rock
- Glam rock
- Progressive rock
Mid to late 1970s
- Hard rock and heavy metal
- Arena rock era
- Punk rock
- New Wave
- New Wave of British Heavy Metal
- Glam metal
- Alternative rock
Alternative goes mainstream (early–mid 1990s)
- Indie rock
Hybrid genres (mid-late 1990s)
- Pop punk
- Nu metal and rap rock
Slight Decline In Album Sales And Popularity (early-mid 2000s)
- Garage rock revival
- Post-punk revival
- Metalcore and contemporary heavy metal
Return to popularity and the rise of Indie(late 2000s)
- Electronic rock
- New Rave